Summary: In “It’s a Terrible Life,” Sam and Dean seem to
have been thrown into an alternate life in which Sam Wesson is an IT guy
unsatisfied with his life, working for a company in the same building as Dean
Smith, a health-loving, workaholic, high-ranking manager. Sam dreams about
killing ghosts with Dean but seems unable to make any personable connection
with him. Meanwhile, underachieving members of the company receive emails to
report to “HR.” Afterwards, they become extremely anxious and overachieving
workers, to the extent that they commit suicide after they have made any error.
Sam and Dean, the latter of whom is no longer able to avoid acknowledging that
there is a ghost, learn from a Ghostfacers video valuable hunting information,
and subsequently stop the monster. As Sam and Dean each quit their jobs, it is
revealed that Zachariah the angel is the individual who set the brothers up in
this lifestyle, with the purpose of proving to them that they will always
choose the hunting lifestyle, no matter what scenario they are put into.
Review: “It’s a Terrible Life” posits to both the viewers
and the Winchesters the theme of destiny. The episode underlines the key
aspects of the characters’ personalities, as well as the reasons why we love
them, by taking away their key traits in this alternate scenario and giving
them characteristics in complete contrast to their normal mentalities. While
this poses for the primary curiousness and enjoyment of the episode (which it
certainly does—who doesn’t love a detoxing Dean who seems slightly terrified of
copious amounts of blood, and brothers who suddenly love the Ghostfacers?!), it
also serves a bigger purpose within the context of the season. This furthers
the moral of the episode: not only will Dean and Sam always find their way back
into hunting, they will fulfill their “destiny” even when their identities and
personalities are the polar opposites of the Sam and Dean we know and love. Sam,
who has, of the two brothers, tended to be the one who rebelled against his
family and unsuccessfully attempted to run away from the hunting lifestyle
previously, is presented with the normal life that he has seemed to always
desire. However, even when confronted with the life he wishes he had had, he
states that he feels as though there is “something in [his] blood” that makes
him desire to fight ghosts, with Dean especially, and needs more than an
ordinary and dull day job. It also demonstrates the intellectual brilliance of
Sam, who hypothesizes that they have been “scrambled” in the brain by the same
sort of ghost that they had just defeated. However, in contrast to Sam, Dean
proves himself to be the voice of reason, bringing up the logistical lifestyle
problems with hunting—living on the road, in a new motel every night, no health
insurance, and more—highlighting the ways in which the qualities of the job that
the viewers tend to view as liberating and adventurous are not all they are cut
out to be, even with death, destruction, and pain aside.
This monster-of-the-week episode
clearly has a bigger narrative focus than its forty-four minutes, and contextualizes
itself well within the story arc of season four. “It’s a Terrible Life” reinforces
to both the Winchesters and the viewers what the angels already seem to know:
that Sam and Dean cannot escape their destiny, and that they must confront what
they have been possibly preordained to do. The use of repeated scenes,
especially those of the copy machines, phone calls ringing throughout the
offices, pencil sharpenings, and cubicles demonstrate the monotony and
mundaneness of their fake lives, which are the “average” lives of most normal
individuals. This is the ordinary lifestyle the Winchesters could have had. The
show tends to hone in on the negative aspects of hunting, of which there are
undoubtedly plenty. However, this shows the way in which the opposite
lifestyle, that of a corporate America that resonates with most of the viewers,
is not fulfilling. As Zachariah states to Dean towards the end of the episode, “It’s
how you look at it—most folks live and die without moving anything more than
the dirt it takes to bury them. You get to change things, save people. Maybe
even the world…. Look around—there are worse fates than yours.” Especially when
it is considered that Zachariah did not merely construct the entire scenario,
but rather dropped the boys in a real-life situation and company, this seems to
be an obvious prodding towards the viewers in regards to their lives. This
brings up the question, what is the purpose of this moral and theme on behalf
of the writers? Possibly, it may be to either inspire the viewers into action
in their own actual lives to pursue what will fulfill them, or simply just to
provide a deeper level of insight into the pros and cons of the hunting world.
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